A Spread knob works in conjunction with an internal mid-side matrix to change the balance between the middle and side channels by changing the side level while leaving the middle constant. The Master section sports knobs for Drive and Noise the former simulates overloading of the input electronics for adding harmonic distortion, and the latter brings up noise and hum. Presence is a semi-parametric bell with a center frequency that's continuously variable from 500 Hz to 10 kHz. Treble features a 5 kHz bell for boost or a 10 kHz shelf for cut. The EQ is split into three bands, each with a variable ☑0 dB boost/cut. My favorite applications are compression on guitars and limiting on drums and piano. Its classic squish is addictive and very fun.
If you are familiar with the records that came out of Abbey Road in that era, you will know the sound of this compressor. The plug-in features the same 2:1 compressor ratio and a 7:1 for the limiter, and it has a fixed attack, selectable release settings, the Hold feature that was on the RS124, and the useful additions of a sidechain high-pass filter and a Mix knob for parallel processing.
The original channel compressor/limiters in the TG12345 were fixed at 2:1 and 8:1 ratio to simulate the compression characteristics of the Altec/EMI RS124 and Fairchild 660 respectively, the two dynamics processors used heavily by the engineers at Abbey Road. The TG12345 plug-in is visually divided into three sections - Dynamics, EQ, and Master - and there is a routing switch that allows you to choose the order in which the signal is fed through the Dynamics and EQ sections before entering the Master section.
WAVES ABBEY ROAD PLUGINS HOW TO
Oh, and also, get a second job to help pay for the gear you'll need, and while you're at it, buy yourself another lifetime to actually search for and find the gear and then learn how to use it. Of course, if you want to take it a step further in working towards a true classic sound, you should return to (or buy if you haven't yet) Recording the Beatles and read closely the explanations of the techniques employed and the gear used. By using the EQ and compressors of TG12345 exclusively (instead of other plug-ins), you start to appreciate the "sound" associated with the original console. I got the most out of it by using it on every channel in the session. You can use this plug-in on individual tracks, the master bus, or all of the above.
But it certainly harkens a tone that your ears will find familiar if you have spent any time listening to the aforementioned classics. Does it sound like the real thing? I have no idea. Waves partnered with EMI/Abbey Road on TG12345 Channel Strip, a plug-in that models the features, componentry, and tone of TG12345 MK I, the very console used by The Beatles. The result, in short, was a console with more clarity and functionality across the board. The TG12345 was a modular solid-state recording and mixing console that introduced compression and limiting on every channel, along with expanded EQ features. The TG12345 was the next generation console following the REDD valve desks that were employed at Abbey Road Studios in London. (No? Please go to jail and do not pass go.) Even if you have never heard of the TG12345, you certainly have listened to or have knowledge of The Beatles' Abbey Road and Pink Floyd's Dark Side of the Moon albums. If you have scratched the surface of recording history, you know the impact that EMI and Abbey Road Studios have had. The legendary TG12345 consoles made by EMI are very rare and scattered around the world, from England to Brazil.
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